‘Crowds and Power’ by Elias Canetti (GLM IX)

Elias Canetti’s Crowds and Power is a book I first read many years ago and one that I had intended to re-read for quite a few years now. With my reading of Stifter’s Witiko taking place only at the weekends I thought Crowds and Power would be a great book to read during the weekday commute; it’s non-fiction, which I sometimes find easier to read on a crowded bus, and it’s split into small chapters. Given that I’d considered Crowds and Power to be a favourite of mine when I first read it, I was surprised to find I was less enamoured with it second time around. Still, its positives outweigh its negatives and I would still recommend it to anyone at all interested in the subject.

Crowds and Power was first published as Masse und Macht in 1960 and was translated into English by Carol Stewart in 1962. It was the first significant work published by Canetti since his novel Auto da Fe in 1935. Canetti settled in England in 1938 but I don’t know when he started to work on Crowds and Power. Given the period in which he was writing, with the rise of totalitarian states, we might expect Canetti to concentrate explicitly on such states but they barely get a mention. Instead Canetti takes a more literary, symbolic approach to the subject and he relies on examples from history and anthropolgy rather than more contemporary examples, presumably in order to highlight that the analysis applies to humanity in general rather than the specific cases of Nazism and Stalinism. Crowds and Power is not a textbook on crowd psychology but is more the analysis of a largely ignored topic by an intelligent man.

The book covers a lot of ground and a full review is, quite frankly, beyond my capabilities, however, I would like to give a taste of what is contained within it. Here is the first paragraph:

There is nothing that man fears more than the touch of the unknown. He wants to see what is reaching towards him, and to be able to recognize or at least classify it. Man always tends to avoid physical contact with anything strange. In the dark, the fear of an unexpected touch can mount to panic. Even clothes give insufficient security: it is easy to tear them and pierce through to the naked, smooth, defenceless flesh of the victim.

Canetti introduces us to the different types of crowds, including some that we might not have even thought of as a crowd, such as the dead. Other adjectives used to describe different types of crowds are: open, closed, stagnating, rhythmic, slow, invisible, baiting, flight, prohibition, reversal, feast. Canetti introduces the concept of a ‘crowd crystal’ which serves to precipitate crowds. He also makes use of ‘crowd symbols’ throughout the book as well as ‘national crowd symbols’. At one point Canetti declares that money is a crowd symbol and that inflation is a crowd phenomenon.

What is it that happens in an inflation? The unit of money suddenly loses its identity. The crowd it is part of starts growing and, the larger it becomes, the smaller becomes the worth of each unit. The millions one always wanted are suddenly there in one’s hand, but they are no longer millions in fact, but only in name.

It is in this section that Canetti makes one of his rare comments about Hitler and the Nazis. Canetti compares the depreciation of the German mark during the Weimar Republic with the ‘depreciation’ of the Jews under the Nazis.

The world is still horrified and shaken by the fact that the Germans could go so far; that they either participated in a crime of such magnitude, or connived at it, or ignored it. It might not have been possible to get them to do so if, a few years before, they had not been through an inflation during which the mark fell to a billionth of its former value. It was this inflation, as a crowd experience, which they shifted on to the Jews.

Canetti now shifts his attention to power, beginning with the brilliantly titled chapter, ‘The Entrails of Power’ which includes one of my favourite sections of the book, ‘On the Psychology of Eating’. Canetti draws the connection between eating and power and makes the point that the man who can eat the most is a ‘champion’ and in older socities a potential leader. Here is a great quote on eating in general; Canetti is very much thinking of meat-eaters here.

People sit together, bare their teeth and eat and, even in this critical moment, feel no desire to eat each other. They respect themselves for this, and respect their companions for an abstemiousness equal to their own.

In this section Canetti also makes this comment on laughter and power.

A human being who falls down reminds us of an animal we might have hunted and brought down ourselves. Every sudden fall which arouses laughter does so because it suggests helplessness and reminds us that the fallen can, if we want, be treated as prey. If we went further and actually ate it, we would not laugh. We laugh instead of eating it. Laughter is our physical reaction to the escape of potential food.

In the chapter, ‘The Survivor’, Canetti connects power with survival, but where the ordinary individual wishes to survive, Canetti points out that to be the lone survivor is the real goal of all leaders and the final claim to power; and to be the lone survivor one needs to kill others. He makes the following blunt statement:

It is those who devote themselves to killing who have power.

He then goes on to make the following case.

The deception is complete. It is the deception of all leaders. They pretend that they will be the first to die, but, in reality, they send their people to death, so that they themselves may stay alive longer. The trick is always the same. The leader wants to survive, for with each survival he grows stronger. If he has enemies, so much the better; he survives them. If not, he has his own people. In any event he uses both, whether successively or together. Enemies he can use openly; that is why he has enemies. His own people must be used secretly.

Canetti uses examples of tyrants and despots throughout history, some are well-known, whereas others virtually unknown. But it is unclear sometimes whether he is making the claim that all leaders, even those of democracies, suffer from the same delusions. Given the times that he had lived through maybe he was sceptical of democracies surviving. Maybe Canetti felt that this ‘natural’ grab for power would always come to the fore. His summary is certainly pessimistic as the ‘survivor’ now has access to the nuclear bomb which he can use in an instant. He may be able to survive but for how long?

Power is greater than it has ever been, but also more precarious. Today either everyone will survive or no one.

This was read as part of German Literature Month IX.

7 Comments

Filed under Canetti, Elias, Non-fiction

7 responses to “‘Crowds and Power’ by Elias Canetti (GLM IX)

  1. Sounds fascinating, Jonathan. I have a copy of Auto da Fe somewhere, but I don’t know that I’ve heard of this before. I like the quotes a lot so I may have to put this on the list to investigate!

    Liked by 1 person

    • Jonathan

      It is fascinating Karen. It’s very idiosyncratic though, which I like as I always enjoy intelligent people’s take on topics, even if they’re not considered an expert. I’ve enjoyed everything I’ve read by Canetti so far: fiction, non-fiction, memoirs.

      Liked by 1 person

  2. I read this and Auto da Fe many years ago, as a student. I remember little about them now, but do recall finding them disturbing. It would be good to revisit them

    Liked by 1 person

    • Jonathan

      Definitely re-read them. I initially read them when I was in my early twenties. Now, approaching 50, I’d say they’re still fascinating to read.

      Like

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  4. I had heard about this book for years, so I finally picked it up and dipped in. I can’t take this seriously, even as the untethered musings of a very intelligent guy. His “analyses” and apercus just don’t make much sense at all. It all sounds to me like the ramblings late at night of a stoned college intellectual.

    I read “The Torch in My Ear” before Crowds, and it was intriguing. The life of an eccentric, cloistered, cosmopolitan bourgeois (Sephardic Jewish) intellectual, but again, he shows more interest in elaborating his dreaming than in connecting to reality.

    Perhaps I should try his fiction, but Auto da Fe lingered on my shelf for years and so…

    One crank’s opinion. 🙂

    Liked by 1 person

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