As the title suggests this book contains six essays, which were individually published by Capra Press in the 1970s when Henry Miller was then into his eighties. The collection includes On Turning Eighty, originally published in 1972; Reflections on the Death of Mishima, originally published in 1972; First Impressions of Greece, originally published in 1973; The Waters Reglitterized, Miller on the subject of water-colours, originally published in 1973 but looks like it was written in 1939; Reflections on the Maurizius Case, Miller’s thoughts on Jakob Wassermann’s book, originally published in 1974; Mother, China, and the World Beyond, originally published in 1977. The collection was originally published in 1977 by Capra Press. My version was published by John Calder in 1980.
Sextet, it has to be said, is a book for the Miller afficionado only. They are essays on a variety of subjects and each one was written with a friend in mind. I originally bought and read this book back in the early nineties (I think) and although the essays are of variable quality there are two parts of the book that I really liked: the first is the cover of the octogenarian Miller enjoying a pint and the other is the opening paragraph of the opening essay, On Turning Eighty:
If at eighty you’re not a cripple or an invalid, if you have your health, if you still enjoy a good walk, a good meal (with all the trimmings), if you can sleep without first taking a pill, if birds and flowers, mountains and sea still inspire you, you are a most fortunate individual and you should get down on your knees morning and night and thank the good Lord for his savin’ and keepin’ power. If you are young in years but already weary in spirit, already on your way to becoming an automaton, it may do you good to say to your boss – under your breath, of course – “Fuck you, Jack! you don’t own me.” If you can whistle up your ass, if you can be turned on by a fetching bottom or a lovely pair of teats, if you can fall in love again and again, if you can forgive your parents for the crime of bringing you into the world, if you are content to get nowhere, just take each day as it comes, if you can forgive as well as forget, if you can keep from going sour, surly, bitter and cynical, man you’ve got it half licked.
Unfortunately the rest of the essay, and the rest of the book also, is not up to the standard of this opening paragraph. Miller goes on to give a bit of a rambling old man’s monologue on what is good and what is bad with modern life and growing old. Miller covers love, friendship, idealogies, reading and euthanasia amongst other subjects.
I thought that the essay titled First Impressions of Greece was going to be quite interesting but it seemed to be little more than random notes from his visit to Greece and Corfu in the late 1930s. In The Waters Reglitterized Miller writes about his enthusiasm for painting water-colours. I thought this would be a bit dull but Miller’s enthusiasm comes through and makes it quite an interesting read. In the essay, Reflections on the Death of Mishima, Miller tries to explain his loss, confusion and exasperation over Mishima’s suicide in 1970. It’s interesting to read because Miller, usually sure of his own beliefs and opinions, is here confused with Mishima as man and artist. One of the main problems that Miller had with Mishima was his total lack of humour.
His utter seriousness, it seems to me, stood in Mishima’s way.
Mishima’s cult of the perfect body was an example, for Miller, of Mishima’s extreme seriousness. He struggles to come to terms with Mishima’s life as well as his death.
The other literary essay (Reflections on the Maurizius Case) is Miller’s thoughts on one of his favourite books, The Maurizius Case by Jakob Wassermann, which was originally published in 1929. The book, which is the first part of a trilogy, concerns a miscarriage of justice. Miller initially makes the book sound quite interesting:
The book offers no balm, no solutions. All the characters involved in the affair suffer tragic fates with the exception of Anna Jahn who had committed the murder for which Maurizius was unjustly punished.
However, by the end of the essay I wasn’t sure if I would be prepared to read a trilogy with such hyper-Dostoyevskian characters. In trying to hype the book I felt that Miller made it feel a little annoying and may have unwittingly done it a disservice.
In the last essay, Mother, China, and the World Beyond, Miller, rather unusually for him, imagines meeting his mother in the afterworld following his own death. He had never really liked his austere mother in real life, but in this essay she seems to have softened enough for him to like and respect her. Writing this essay must have been a cathartic experience for Miller, especially when we read the last lines:
When I looked up I perceived my mother some distance away. She appeared to be on her way out. Looking more carefully, I observed that she was waving to me, waving good-bye.
With that I stood up, my eyes wet with tears, and giving a mighty shout, I cried: “Mother, I love you. I love you! Do you hear me?”
I imagined that I saw a faint smile illumine her face and then suddenly she was no more.
I was alone, but more alone than I had ever felt on Earth. And I would be alone, perhaps, for centuries or, who knows, perhaps through all eternity.