‘Clochemerle-Babylon’ by Gabriel Chevallier

Image source: scan of personal copy

Last year I read Clochemerle by Gabriel Chevallier and wished to continue my reading about the inhabitants of that village in Beaujolais. Clochemerle was published in 1934 and the events in the novel took place in the early ’20s, whereas the sequel, Clochemerle-Babylon was written twenty years later and the events take place in the early ’30s. So, it’s ten years since the ‘scandals’ in Clochemerle—how has it changed? Well, first of all we’re informed that the curé Ponosse, a central figure in the first book, has died. Ponosse was well-loved by his parishioners, partly due to his love of wine.

The death of the Curé Ponosse occurred in the vintage month, when his beloved Clochemerle was impregnated with the odour of new wine, in the golden glory of a brilliant, hot September. The old priest died in the apotheosis of a great year, famous for its wine, one of those years whose fragrant soul is destined to be poured, later, from bottles, to rejoice the heart of man, to celebrate earth’s abundance, the memories of happy days, and perfect summers.

It’s a good year for Clochemerle wine and Ponosse’s name is forever linked to such a great wine year, which would have pleased him immensely. Ponosse died peacefully in his garden after a frugal meal and a glass of wine, muttering ‘Clochemerle…dear Clochemerle.’ After he is laid to rest the question is, who will replace him?

In Clochemerle-Babylon there is little plot, as such, even less than in the first book, instead Chevallier concentrates on characters and allows them to develop throughout the novel. Chevallier is also determined to show how much has changed in the ten years or so since the end of the First World War, even if outwardly it seems to be much the same. The title of the book refers to how some of the older, more prudish, characters see the ways of the modern world and how Clochemerle is on a slippery slope into decadence and immorality. But even those that aren’t so critical are still taken aback by the pace of change.

It was true that the elders found everything changing all about them with a precipitation which was leaving them stripped of authority. The girls (kids they remembered no bigger than that) suddenly flowered and married. The lads returned from their military service with blasé airs and a new vocabulary. A horde of new brats was born, making their disprespectful uproar in Clochemerle.

So, in this age of jazz, electricity, aeroplanes and motor cars who is Ponosse’s replacement? The Curé Noive who is the complete opposite of Ponosse:

He was a tall, heavy fellow, this priest, his face bloodless and sinister, in his forties, sombre as the ace of spades, all bones, hands, and feet. His profile was aggressive, his chin like a fender, his whole person seemed black, including the sombre eyes glittering with the light of fanatical piety.

And his sister, who serves as his housekeeper, is even more severe. Even worse than his intense piety, in this region of winemakers, is Noive’s dislike of wine. Chevallier humours us with a few chapters illustrating just how incompatibe the new curé is with Clochemerle before getting rid of him after nearly all of the villagers, including the Baroness, plead with the Archbishop to get rid of him. The Archbishop is soon convinced of the mistake in imposing such a pious curé on the village—the case of Clochemerle 1929 also helps him decide that the villagers are best left to doing what they do best, making wine, and not concerning themselves with religious ideas.

The Clochemerle 1929 was a magnificent wine. Drinking it in small sips, his grace the Archbishop felt himself well disposed towards the Clochemerlins. It takes all sorts to make a world and a Church, to people Heaven and Hell. But there was no denying that it took capable vignerons to make a wine like this, men whose minds must on no account be distracted by excessive metaphysical cares.

So Curé Noive leaves Clochemerle and is replaced with a more suitable man, the Curé Patard, an ex-military man who declares that God ‘knows you’re a sinful lot of swine. He’ll put up with you as you are.’ He likes his wine too, which is good.

With Patard taking up his new position Chevallier switches his focus with Part Two. Clochemerle is now being affected by the U.S. stock market crash of 1929. There is less demand for their wine and the good times now seem to be over. Clochemerle even has its first registered unemployed, Tistin la Quille. In an amusing chapter titled Tistin has himself Registered, Tistin convinces the council of Clochemerle to register him as unemployed, something that had never happened before in Clochemerle. The council is happy to do so as it shows them in a benevolent light and highlights their democratic principles. Tistin becomes a bit of a local clebrity due to his unemployed status and ends up getting two young widows pregnant; he doesn’t want to marry either as this may jeopardise his unemployed status. Chevallier’s satirical eye passes over much of the politics, religion, sexual differences of Clochemerle society; much of which is amusing though a lot of his views may seem outdated, or sexist, these days.

Clochemerle-Babylon is an amusing book and one that I thoroughly enjoyed reading. It’s got even less of a plot than the first one but it’s fun catching up with some of the old characters from the first book as well as being introduced to new characters. There’s a lot more characters than the ones introduced in this review. The next, and last, book in the series is Clochemerle-les-Bains which I hope to read soon.

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8 Comments

Filed under Chevallier, Gabriel, Fiction

8 responses to “‘Clochemerle-Babylon’ by Gabriel Chevallier

  1. Sounds fun Jonathan. Sometimes a book doesn’t have to have bucketfuls of plot if the characters and the writing are strong enough.

    Liked by 1 person

    • Jonathan

      I’ve really enjoyed these Clochemerle books so far. Lack of a plot is not too much of a problem in this case as Chevallier has all these different characters and stories going on. In a way it’s a book of short stories all taking place in a single village.

      Liked by 1 person

  2. I had the impression that Clochmerle books were rather light and frothy but this review suggests otherwise – humorous yes but with somewhat of a darker tone than I anticipated.

    Liked by 1 person

    • Jonathan

      No, I wouldn’t call them ‘light and frothy’ but I’d agree with your second description. I find them funny and I like Chevallier’s descriptive prose as well as his satirical parts. I would liken his style to H.E. Bates and Galton & Simpson. I can see why G&S liked Clochemerle enough to do the TV series.

      Liked by 1 person

  3. How did I never hear of these before? This sounds a bit like PG Wodehouse (without the manor house) or a rural community version of Daniel Pennac’s Malaussène series. Will have to look for it.

    Liked by 1 person

    • Jonathan

      I’m not sure where I first heard of them. I think I must have just read the blurb of the first book in another Penguin and liked the idea of a small village fighting over the introduction of an urinal.

      Like

  4. It sounds a bit slight, but quite charming. I had planned to watch the tv show but I am now rather wondering if I’d be better off just reading the books themselves.

    Liked by 1 person

    • Jonathan

      It’s difficult to advise as I like both the books and the TV series. The TV series is an adaption of the first book only.

      Like

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